Audiobooks: The rise and rise of the books you don't read [BBC Culture]

Audiobooks | Trends | Reading

Audiobooks are having a moment. As they soar in popularity, they are becoming increasingly creative – is the book you listen to now an artform in its own right, asks Clare Thorp.

• By Clare Thorp

6 January 2020 

llustrated poetry collection The Lost Words was brought to audio in the form of recordings made in the British countryside (Credit: Penguin)

 Back in 1878, shortly after he had invented the phonograph, Thomas Edison hit upon an idea. Leaning over his new machine one day he recited the words: “Mary had a little lamb. Its fleece was white as snow.” As he created the first ever audio of the spoken word, Edison dreamed that the technology might one day allow a whole novel to be recorded. Fast forward nearly 150 years, and he’d be pretty impressed to find more than 400,000 audiobooks available to download straight into his pocket.

 

 Audiobooks are in the midst of a boom, with Deloitte predicting that the global market will grow by 25 per cent in 2020 to US$3.5 billion (£2.6 billion). Compared with physical book sales, audio is the baby of the publishing world, but it is growing up fast. Gone are the days of dusty cassette box-sets and stuffily-read versions of the classics. Now audiobooks draw A-list talent – think Elisabeth Moss reading The Handmaid’s Tale, Meryl Streep narrating Charlotte’s Web or Michelle Obama reading all 19 hours of her own memoir, Becoming. There are hugely ambitious productions using ensemble casts (the audio of George Saunders’ Booker Prize-winning Lincoln in the Bardo features 166 different narrators), specially created soundscapes and technological advances such as surround-sound 3D audio. Some authors are even skipping print and writing exclusive audio content. Read more...