Books | Politics | Diversity
by Jennie Yabroff | September 7, 2017
Sad. Huge. Sick. Bigly. Unproud. Covfefe. Despite the fact that
President Trump handles the English language like a three-year-old
wearing frozen mittens, his words, both spoken and tweeted, have proved
alarmingly successful tools of bullying, misdirection, and
blame-shifting, enabling him to shape reality into an alternate version
in which he is infallible and his critics are – another favorite –
pathetic. As a literary critic wrote in The Guardian
recently, Trump has used (or abused) the English language to “undermine
the notion of objective truth more successfully than most novelists can
dream of doing.”
What can you do when your enemy uses your weapon against you? Starting a few years ago, writers around the world began publishing essays, speeches, stories, and even, in a few prescient cases, novels warning of what awaited us were Trump to be elected. He was, and the weeks that followed were marked by reaction pieces by those same writers and others, many of them simply asking, what the hell just happened? Some two hundred-odd days later, Trump remains in office, and writers keep fighting his regime with the most powerful weapon at their disposal, trusting, or hoping, in its essential efficacy.
The fact that writers keep writing, keep putting their faith in words to accurately describe reality, keep believing that there are still readers out there who will be moved, possibly even changed, by what they’ve written, is in some sense the most audacious act of protest against this singularly linguistically hostile president. So many writers are feeling moved to record and resist not just Trump’s abuses of Americans’ civil liberties but his more basic lack of respect for human decency and civilized discourse, that we are now seeing several anthologies of writers responding to the Trump regime.
What can you do when your enemy uses your weapon against you? Starting a few years ago, writers around the world began publishing essays, speeches, stories, and even, in a few prescient cases, novels warning of what awaited us were Trump to be elected. He was, and the weeks that followed were marked by reaction pieces by those same writers and others, many of them simply asking, what the hell just happened? Some two hundred-odd days later, Trump remains in office, and writers keep fighting his regime with the most powerful weapon at their disposal, trusting, or hoping, in its essential efficacy.
The fact that writers keep writing, keep putting their faith in words to accurately describe reality, keep believing that there are still readers out there who will be moved, possibly even changed, by what they’ve written, is in some sense the most audacious act of protest against this singularly linguistically hostile president. So many writers are feeling moved to record and resist not just Trump’s abuses of Americans’ civil liberties but his more basic lack of respect for human decency and civilized discourse, that we are now seeing several anthologies of writers responding to the Trump regime.
Tales of Two Americas
Stories of Inequality in a Divided Nation
Edited by John Freeman
Tales of Two Americas, edited by John Freeman, examines the growing economic and class divide in our country through lenses fictional, factual, and poetic. Thirty-six writers, including Joyce Carol Oates, Edwidge Danticat, and Karen Russell contribute pieces set in Appalachia, the Rust Belt, and other divided regions of our increasingly conflicted country.Read more...
